Showing posts with label Photography. Show all posts
Showing posts with label Photography. Show all posts

Photography Contest Entry

Photography Contest Entry Video Clips. Duration : 0.52 Mins.


PHOTO INFORMATION Date: 5-24-2009 Location: Churchill Downs, Louisville, Kentucky Camera: Nikon D60 body with AF-S DX VR Zoom-Nikkor 55-200mm f/4-5.6G IF-ED lense Focal Length: 200 mm F-stop: f/5.6 Exposure: 1/500 sec ISO: 280 Aperture: 5 SONG "Beautiful Day" from U2 OTHER For the judge of the contest - if you would like a copy of the photo, as oppossed to a small and/or moving copy of the photo, I would be more than happy to provide you with a link to the photo in full size. Oh, hey, look. I have HD video. Sweet. XD

Keywords: bay, thoroughbred, race, horse, louisville, kentucky, churchill, downs, u2, beautiful, day, nikon, d60, equine, equestrian, photography, contest, entry

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choose exquisite Camera Lens for Night Photography

Night Photography can be very intriguing. You cannot just think of clicking photographs in the night under general circumstances. A lot of factors come into play and sway the photographs. During nights the most leading aspects of photography are focus, weight, image capability and the price of the lens. The lens that offers all these qualities automatically qualifies as the ideal choice for night photography. The Nikon Telephoto Lens and the Canon Wide Angle Lens do the primary to qualify.

The speculate why both the Nikon Telephoto Lens and the Canon Wide Angle Lens qualify is because of the range available. The Af-Sdx 35mm f/1.8G, Af Nikkor 50mm f/1.8D Autofocus and the 2180 Af-S Nikkor 50mm f/1.4G are three fine examples from Nikon. All these have been categorized under the Nikon Telephoto Lens and have shown their capacity to yield visually enchanting images During the nights. The ambience might be dark and the light dim, but these lenses get to work swiftly and show why they are top preference. They have a good focal length, curvature, and cleft and yield good snaps.

Af S Dx Nikkor Zoom Lens

If Nikon has these to boast of, then Canon too is not far behind. The 24-105mm f/4L Is Usm Ef, Ef-S 15-85mm f/3.5-5.6 Is Usm Ud Wide Angle Zoom and the Ef 28-135mm f/3.5-5.6 Is Usm are Canon masterpieces that have been made for night photography. During nights, whether artificial light is available or not, these lenses show competence in taking clear photographs. They are the finest Canon Wide Angle Lenses that have been produced so far with a proven track description of doing well During nights.

These are the perfect examples of the lenses used During nights for photography. The photographs taken straight through these are neither blurred nor distorted. They are as apparent as they can ever be. Once the photographer puts them inside his camera and starts using them, issues such as photo capability and image stability which are otherwise very leading seem very petty.

The nights do not have the good fortune of broad daylight. Hence, the lenses in the camera have to be so strong that absence of light gets compensated for. Distorted lenses lack clarity. The images come blurred, and the darkness sets it up for a duplicate whammy. This can positively come to be frustrating for the photographer, for he has to put in twice the exertion During nights. These lenses do not let that happen, and give the photographer a speculate to cheer for.

Laying focus During nights is not that easy. Same goes for establishing stability and ensuring texture. All these things only fall into place when the lens itself has something extra to offer. The features that have been talked about above have to be there in the lenses to get good pictures. Their absence is bad news and will leave the photographer in dismay. These are the most ideal lenses that fit the bill for good night photography. There are abundance of artists vouching for their efficiency, speculate adequate for usage.

choose exquisite Camera Lens for Night Photography

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First attempt at Sunset Timelapse Photography

First attempt at Sunset Timelapse Photography Video Clips. Duration : 0.47 Mins.


Location: San Gregorio Beach, California Camera: Nikon D7000 Lens: AF-S DX VR Zoom-Nikkor 18-105mm f/3.5-5.6G ED-mode: Aperture, ISO: 100 Aperture: f10 Shutter speed: 1 / 250 of 665 @ 5 / 2 second picture. The agitation is due to the crazy 30 mph + wind.

Keywords: sunset, nikon, d7000, time, lapse

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Digital Photography Tutorial - Digital Camera Filters

Filters are plastic or glass layers settled in front of the lens of a camera to block inevitable light waves to reach the sensor. Although most filters are designed for Dslr lenses, generic filters can also be purchased and used together with compact digital cameras.

There are many filters out there but I am going to talk about three of the most useful types.

Af S Dx Nikkor Zoom Lens

The first one is called the Uv filter. Uv stands for ultraviolet and it is the electromagnetic rays that can damage your skin and your camera sensor. If most of your photography activities are indoors then this filter may not be useful for you. But it is extremely critical for outdoors. This filter not only protects the sensor from ultraviolet rays but it also physically protects the front of the lens. This is one of the most generic and cheapest filter but extremely essential.

The second one is called the Cp-L filter. This filter is actually a polarizer. The filter has a polarizer that can be rotated on a thin surface. This filter allows photographers to adjust inevitable light rays to pass straight through the lens and onto the sensor. This filter is handy to minimize reflections from a subject. For example, when shooting a lake, a polarizer may be used to sell out the reflection of the lake, enabling the camera to visibly see the fishes swimming in the lake.

The third one is called Nd Grad. Filter. This is an acronym for Neutral Density Graduation filter. Unlike the old two filters, this filter is separated into two separate regions. The filter is separated into half and one region is darker than the other. The dark region gradually becomes light as it approaches the other half. This filter is useful for scenery photography when the sky is normally overexposed to compensate the exposure of the land. This filter is use to darken the sky and balances the exposure stops between the sky and the land to furnish an equally exposed subject. With this filter, the brightness range of the composure is also reduced thus solving the subject-brightness range question in cameras

There are a few classifications for this filter. There are normally two values of an Nd Grad. Filter: 0.3 and 0.6. The 0.3 filters are used for 1 stop recompense where as the 0.6 filters are used for 2 stops compensation. (Each stop is the stop difference between the sky and the land) For each value, there's soft and hard graduation from the dark region to the light region

All lens filters are also categorized with their diameter. That is all about filters now. If you have some money to spare, get a filter today and try it out! There are lots of potentials in photography when using a filter. Ask your local store for some recommendations as well.

Digital Photography Tutorial - Digital Camera Filters

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Nikon and Canon - Photography Vs Technology

Professional photographers hired to outside quiz, photo shoots rely entirely on the right camera setup--job definite lenses, one or two dSlr bodies, and plentifulness of contract flash (Cf) cards. For most photographers shooting medium format, Nikon and Canon are the only brands which ever make it into the studio. Both brands offer Raw file capabilities, large sensors, large hi-res Lcd monitor, and the highest potential bodies and lenses, which are traits most prominent to pros. Still, each brand's products have their own distinctive features, advantages and disadvantages.

Nikon has dominated the film photography world since the 1950's and released the world's first digital singular lens reflect expert camera, the 2.6 megapixel D1 in 1999. What made Nikon "the contemporary photographer's camera company" was its versatility and wide choice of autofocus (Af) Nikkor lenses, all of which are compatible with either their 35mm or Fx film cameras. At the time of its 50th anniversary, Nikon listed over 60 Af lenses for sale fluctuating from wide angle lenses with focal lengths as short as 10mm, to telephoto lenses of up to 600mm, and a plethora of zoom lenses.

Af S Dx Nikkor Zoom Lens

The Nikon dSlr body is very close to their 35mm bodies, which is a great relax to long time photographers. While some options have changed, the farranging anatomy is the same. Image size has increased roughly 1000% since the D1, the D3X shoots 24.5mp images with max resolution of 6048 x 4032p while their Canon competitor, the Mark Eos-1Ds Iii, comes in at 21mp and max resolution of 5616 x 3744.

More choice of lenses and digital information will cost you, however, as Nikon bodies and lenses are commonly more costly than Canon and are heavier. The D3X weighs in at 00 Usd, excluding lenses, and 2-lbs without lens and battery. Nikon does, however, offer lightweight cost effective solutions such as the D70, 80, 90, and 3100 cameras which range from 00-00 and contain a appropriate zoom lens.

Canon has dominated the world of electronics since the 1960's and, like Nikon, is a Japanese-based company. They released their first pro dSlr on year after Nikon's debut and boasted a larger, great image. Consumers were customary with the brand's point-and-shoot Powershot cameras--which made it on the scene before Nikon's Coolpix line--but professionals hesitated until September of 2001 when reviews boasted how much quieter, lighter, faster, and economy Canon's new Eos-D1 was compared to any equal potential Nikon dSlr. They also offered a 16-35mm f/2.8 L Usm lens and other options which sought to offset the need for a large range of lenses.

Since then, the Eos line, specifically the Mark Ii-Iii have been prime picks for Canon pro shooters. While Canon has released a Mark Iv, this camera weighs in heavier than Nikons D3X at 2.6-lb and offers only 16 effective megapixels. Canon expert bodies are significantly cheaper. The 21mp 1Ds costs less 00 and weighs less than 50-oz. Much of this is because Canon business its sensors and a few other mechanisms in-house, unlike Nikon which mostly outsources its sensors to Sony.

Pro photographers will all the time reconsider the type of photography they are shooting. If carrying lots of lenses is impossible and mobility and cost are requisite choosing factors, Canon has the versatility they need. Other photographers, however, love learning the science of getting the excellent shot with the best lens, especially when more time is allotted. Getting a new camera ideas is a huge speculation which needs to be tempered with trials, research, and reading reviews from other pros.

Nikon and Canon - Photography Vs Technology

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choose perfect Camera Lens for Night Photography

Night Photography can be very intriguing. You cannot just think of clicking photographs in the night under normal circumstances. A lot of factors come into play and work on the photographs. During nights the most important aspects of photography are focus, weight, image potential and the price of the lens. The lens that offers all these qualities automatically qualifies as the ideal selection for night photography. The Nikon Telephoto Lens and the Canon Wide Angle Lens do the needful to qualify.

The think why both the Nikon Telephoto Lens and the Canon Wide Angle Lens qualify is because of the range available. The Af-Sdx 35mm f/1.8G, Af Nikkor 50mm f/1.8D Autofocus and the 2180 Af-S Nikkor 50mm f/1.4G are three fine examples from Nikon. All these have been categorized under the Nikon Telephoto Lens and have shown their capacity to yield visually piquant images During the nights. The milieu might be dark and the light dim, but these lenses get to work quickly and show why they are top preference. They have a good focal length, curvature, and cleft and yield good snaps.

Af S Dx Nikkor Zoom Lens

If Nikon has these to boast of, then Canon too is not far behind. The 24-105mm f/4L Is Usm Ef, Ef-S 15-85mm f/3.5-5.6 Is Usm Ud Wide Angle Zoom and the Ef 28-135mm f/3.5-5.6 Is Usm are Canon masterpieces that have been made for night photography. During nights, either artificial light is available or not, these lenses show competence in taking clear photographs. They are the finest Canon Wide Angle Lenses that have been produced so far with a proven track narrative of doing well During nights.

These are the excellent examples of the lenses used During nights for photography. The photographs taken straight through these are neither blurred nor distorted. They are as apparent as they can ever be. Once the photographer puts them inside his camera and starts using them, issues such as picture potential and image stability which are otherwise very important seem very petty.

The nights do not have the good fortune of broad daylight. Hence, the lenses in the camera have to be so strong that absence of light gets compensated for. Distorted lenses lack clarity. The images come blurred, and the darkness sets it up for a double whammy. This can admittedly become frustrating for the photographer, for he has to put in twice the exertion During nights. These lenses do not let that happen, and give the photographer a think to cheer for.

Laying focus During nights is not that easy. Same goes for establishing stability and ensuring texture. All these things only fall into place when the lens itself has something special to offer. The features that have been talked about above have to be there in the lenses to get good pictures. Their absence is bad news and will leave the photographer in dismay. These are the most ideal lenses that fit the bill for good night photography. There are plentifulness of artists vouching for their efficiency, think adequate for usage.

choose perfect Camera Lens for Night Photography

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